Over the years, I’ve found myself going back to the 24–70mm more than any other lens, not because it stands out technically, but because it fits the way I work. I don’t approach a scene with a fixed frame in mind.

As a photographer, I notice how the entire colour palette changes in monsoon. The sky turns grey, the greens get brighter, the mud becomes a deep earthy tone. It naturally adds contrast and depth to the photos.

There’s so much positive energy, so much human connection that as a photographer, I don’t just document them, I live the moment with them.

I set out with an open mind, determined to focus on the photography rather than my discomfort. And I’m glad I did, because Sassoon Dock is nothing short of a visual feast.